Within the current of Vietnamese cinema, the People’s Army Cinema has consistently affirmed its special role in safeguarding and promoting the cultural and ideological values of the nation and the arduous and complicated ideological struggle.
With a proud tradition, the unit’s staff, reporters, personnel and soldiers have continuously innovated and created, helping shape the image of the “Uncle Ho’s Soldiers” in the new era while conveying messages of national significance.
Throughout its development, from the challenging early days to the present, the People’s Army Cinema has led efforts in producing and promoting artistic works that defend the ideological foundations of the Party and the policies and laws of the State.
From documentaries and feature films to television productions, each work bears a distinct creative imprint, delving into ideological depth and reflecting the political steadfastness of soldiers on the cultural and artistic front.
The impressive achievements of 12 outstanding awards honoured at the ceremony once again underscore the unit’s ongoing innovation, growth, and unwavering contributions throughout all stages of the nation’s history.
The awards presented to the People’s Army Cinema included: one A Prize for the documentary “General Secretary Nguyen Phu Trong – A wise, steadfast and exemplary leader”; one B Prize for the documentary “Sacred Image”; three C Prizes for the feature film “The Rose Squad” and the documentaries “Because They Are Soldiers” and “Source Spring; and seven Consolation Prizes.
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| A scene from the documentary “General Secretary Nguyen Phu Trong – A wise, steadfast and exemplary leader”, recipient of the A Prize. |
These meaningful awards demonstrate the relentless efforts of the unit’s staff, reporters and personnel to spread the values of Ho Chi Minh’s thought, morality and style through the language of cinema.
Each work carries profound ideological depth, artistic value, and significant social meaning, contributing to portraying the image of “Uncle Ho’s Soldiers” in the contemporary era.
With a long history of glorious tradition and tireless creativity, the People's Army Cinema continues to affirm its pioneering role in preserving and promoting cultural and ideological values, protecting the Party's ideological foundation, actively contributing to the fight against peaceful evolution, and refuting the false arguments of hostile forces.
These achievements are not only a source of pride for the unit but, more importantly, serve as a driving force for continued innovation and enhanced quality in artistic creation, reinforcing the position of military cinema in the flow of Vietnamese revolutionary culture and art.
The tradition of the People’s Army Cinema is always ready to engage with difficult, complex, and highly topical subjects. As a result, its work reflects the courageous fighting spirit of the soldier and a deep understanding of intricate social issues.
The spirit of the artist–soldier is vividly expressed in each work. Every documentary and feature film is created with deep faith in the revolutionary ideal and in the cause of defending national independence and freedom.
Notably, the unit has witnessed the emergence and maturation of a new generation of young filmmakers in recent years. They bring with them youthful energy, enthusiasm and a passion for artistic innovation.
This younger generation has had the privilege of inheriting the unit’s traditional values and building upon that foundation to bring fresh perspectives, integrating military cinema into the broader flow of national and international filmmaking. Their works are marked by sharp insight and critical reflection, while remaining as the core principles and values upheld by the People’s Army Cinema.
With constant efforts and innovation, People's Army Cinema has maintained its role as a "leading bird" in political and social topics while also being a place to express the desire for artistic creation, reflecting life's issues in a truthful and profound way.
Supported by a team of passionate and creative filmmakers, as well as experienced officers and artists, the unit is increasingly affirming its position and responsibility on the cultural and artistic front of the nation.
